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Furthermore, the trapezius muscle, which from the front appears to connect the shoulder with the neck, is highly individual; if its very muscular, or carries much fat, it can make the shoulder line look so high theres no neck; inversely, an underdeveloped trapezius, often seen in very young women, gives the impression of a long neck.

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Figure Drawing Foundations Proportions Series Called Learn

Human Anatomy Fundamentals: Learning to See and Draw Energy Human Anatomy Fundamentals: Advanced Body Proportions This post is part of a series called Learn How to Draw.

Were going to start giving structure to that feeling-based groundwork by studying the body with a more scientific eye.

Not only is it among the most sophisticated animal structures in nature, it is also one of those with most variations: few other species come in so many shapes and colors.

Nobody, therefore, should feel frustrated for having trouble drawing people; it is an ambitious undertaking.

If this is the case, may we recommend one of the many Photoshop brush sets available on GraphicRiver, including this Classic Art Brush Pack.

Draw your own chart with me as we go, it really helps learning the material.

Its width is roughly 1.5 to 2 head-widths.

You can now draw the spine connecting the head to this most important part of the body, its center of gravity and stability.

The knee joints sit on mark 6, as that line corresponds to the bottom of the knee caps.

But this straight line is virtual: to complete the leg, connect the hip joint to the inside of the knee cap, and then again, the outside of the knee to the inside of the ankle (right).

This is a very simplified but accurate representation of the actual bone structure, and helps in drawing the natural look of the human leg, which tapers in from the hip, then staggers out at the knee and tapers in again.

Simplified, it is an oval that starts halfway between 1 and 2, down to mark 3; but it is best to chop off the lower part of it as shown here to imitate the actual rib cage, as the empty part between the two volumes is important: it is soft and subject to change (flat belly, soft belly, wasp waist) and it is also where the most torsion and movement happens in the spine.

Its good to be aware of that and not attach torso and pelvis together like two blocks, as that would block your drawings range of motion.

The width of the oval is roughly the same as the pelvis for now.

To begin with, its slightly curved down, but in tension the shoulders tense up and the curve can itself turn up and look higher.

Figure Drawing Foundations Proportions Free To Share

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Figure Drawing Foundations Proportions Series Called Learn

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